In the tantric language of this chapter, what do Shiva and Shakti represent?
What insight in David Deida's polarity model does the chapter keep?
Why does the chapter call the equation of polarity with gender 'empirically wrong'?
Whose work on gender performativity does the chapter use as a theoretical framework?
According to Helen Fisher's research, which neurochemical system is especially activated by novelty and contrast?
What characterises the consciousness role in polarity practice?
What characterises the energy role?
How do the two roles amplify each other?
A couple of the same sex wonders whether polarity practice applies to them. What does the chapter say?
What is the most advanced polarity practice, according to the chapter?
In the Polarity Flow practice, how do partners switch roles?